Reviews and updates from Amber Foxx, author of the Mae Martin Psychic Mystery Series
A mystery with many layers, the first of Anaya’s Sonny Baca novels is crime fiction and also literary fiction with mythical depths. At one level, it’s the story of a young private detective’s search for his cousin’s killer; at the other level, it’s the story of his spiritual development and reconnection with his traditional culture and his ancestors. The story also reflects on the ecological and ethical challenges facing New Mexico as some seek to develop it and others to preserve and protect it. The sacredness of earth, sun and water, and their spiritual place in human hearts, is as important as the question of who committed the crime, and even inseparable from it.
Sonny Baca, great grandson of the famous Elefgo Baca, is—like his bisabuelo—a flawed hero. Sonny is still maturing as a man and in his profession, learning from his mistakes, but at the same time he’s smart, perceptive, and courageous, and he thinks a lot about both the world around him and the struggles within him. For a reader used to the pace of most crime fiction, this occasional descent into deep wells of thought may feel digressive, but Sonny’s insights are part of the story. Most of the time, the pace is intense and the story flies along.
One way Anaya sustains the flow is that he never translates or explains the Spanish words and phrases his characters sprinkle throughout their conversation. This not only kept the pace and the authenticity, but taught me. I began to understand them as I read. (If you’re not a Spanish speaker, notice how you figured out bisabuelo already.)
Though they have full personalities, there’s an archetypal quality to the characters. Sonny’s neighbor don Eliseo is the Wise Old Man, human and believable, not idealized. His spirituality is both transcendent and earth-bound. Rita, Sonny’s girlfriend, comes close to seeming too perfect, a strong, loving, nurturing goddess, but she’s written as seen by a man in love with her. The villains of the story are the inversions of these benevolent archetypes, making them some of the most disturbing criminals I’ve come across in a mystery.
The writing is engaging, as one would expect from a literary master like Anaya. The first chapter, however, is the weakest, heavy with backstory. Don’t let the slow start deter you. After that, the story comes alive. While the crime is horrific, the fullness of Sonny’s life and circle of friends balance this element with humor, love, and mystical wisdom.
New Mexico Magazine recently profiled Anaya in a wonderful and thorough article, linked here.